Playing the Trump Card
Nothing has disappointed me more about the astonishing ascension
to power of Donald Trump than the accompanying white power sentiment that has followed
it.
Trump has become a rallying call for white middle aged men
and women everywhere, and not just those that had a penchant towards conservatism
or blatant outright racism in the past. No, Trump seems to have reverberated
with the middle of the road middle class and become a poster boy for even the
meekest slightly left of centre man in the street to find his or her inner fascist
voice.
Rewind a year or two, and DT was a bit of a joke. His brash
flip flopping political aspirations were akin to references of President Schwarzenegger
in movies like Demolition Man, somewhat of a nod to Americas fascination with celebrity
but never a serious consideration in the hard knock Washington political scene (frankly
he still isn’t).
Ratings of his show The Apprentice seemed to fortify the
more he played up to the role of the ultimate patriarchal male capitalist
businessman of centuries gone by. The more he dramatized this character of the entrepreneur
made king, the more magnetic he became to an increasingly de-polarized mostly white
majority across the length of breadth of America.
All of a sudden America saw on TV someone who could
advance their interests, who could arrest the onset of their perceived emasculation
and “put America first”, “make America great again”. They
finally had their man.
Except Donald Trump the person and Donald Trump the “you’re
fired!” TV star are two very different people.
One is a character on a carefully scripted long running television
series, who has hundreds of producers, script writers, directors, advisers,
studio execs and PR people controlling his every word and action. We also refer
to them as actors.
The other is a racist, fascist, sexist, insecure, cheating,
lying, tax avoiding bastard who should never be taken seriously. We also refer
to them as arseholes.
But here’s the rub, even after all the bombshells, scandals
and PR nightmares (many of them self-inflicted by idiotic Tweets he sent
himself), nothing could derail his campaign after the voting public decided
that the character from Trump Towers who carried the ambitions and dreams of middle America on his shoulders was in fact the real Donald Trump.
It’s like electing Martin Sheen because he was an awesome
president on The West Wing.
And the rambunctious noise from the right continues to rise,
on social media, in the news (fake or real depending on where you stand in
relation to DT) and around every water cooler at every tea break.
Each misstep of his administration, of which there have
already been many, just seems to embolden his fans and supporters a little
more. It’s as if they hope cacophony of sound will drown out the truth that the
man is sadly and dangerously out of his depth, and so the Whitehouse eggs them
on into a myopic fervor.
It sickens me to think in this day and age, the age of
freedom of expression, freedom of knowledge and freedom of communication that
someone can rise to power on the promise of curtailing freedoms. It takes a
special kind of evil to campaign to build walls, break down bridges and label
entire religions and races as undesirable.
The margin of error in electing this man is astronomical.
Sometimes when you aim for the moon and you miss, you hit the stars. But just remember
that a star is just a giant ball of flaming gas that incinerates anything that
comes near it.
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